This IS competition [ ]. Another orchestral library? It's a joke or what? It's an opinion Hi Paul, All is going great. I get my Pro Edition upgrade today.
I saw the FedExpress tracker. Needless to say I'm pretty excited now. From what we were talking about, I think people get caught up too much with which equipment is better and so forth. The reason I got VSL is because I thought it was the safest investment assuming orchestral music stays traditional for the next years!
Very consistant throughout every instrument and perfect sounding. Matter of fact, I think it's easier to "imperfect" some of the sounds through tweaking, than acually record the imperfect performance. When I get around to applying this I'll post the piece. In the mean time, check this out It's a short peice for a commercial. You cannot post new threads in this forum. You cannot reply to threads in this forum.
You cannot delete your posts in this forum. You cannot edit your posts in this forum. You cannot create polls in this forum. You cannot vote in polls in this forum. Forums Search Latest Posts. I just don't get why some are focusing on the sound of a second violin section in and of itself, when the point is acheiving an aggregate sound of They are argueably the most important instruments of the orchestra, and the difference is obvious - regardless of the orchestration method.
I do get that we won't see them from VSL because it isn't cost effective. After all, if the violin lines don't coincide, then using VSL's twice is perfectly fine - sounds like It is only when the sections play in unison that phase problems creep in and the depth of field collapses. If I were trying to sell samples, that would be a tough call, but the idea of competition is intriguing. Getting into SSC from a performance angle is much simpler than it is with some libraries, although this is partly because the library lacks some of its rival's advanced performance methods for controlling articulations.
Each articulation is stored in a separate instrument file, and it's left to the user to combine these into keyswitchable or similarly controlled 'performance' instruments, although, as previously mentioned, the manual does provide some guidelines on this. However, this isn't to say that the programs in SSC don't provide a useful degree of expressive control.
This type of control is becoming more popular in GigaStudio libraries and really does provide a level of expression way beyond what could be achieve by simply automating the volume of a part. One of the most notable features of SSC is the implementation of release triggers for instruments right from the outset, which is where the acoustic space chosen for the recording really comes into its own.
Given the choice, you'll end up choosing the legato programs with release triggers as they sound so much more natural, especially when you're not drowning your strings in reverb. The only downside to using the release triggers is that they absolutely eat up the available polyphony on your GigaStudio machine or machines, as is increasingly becoming the case , although this is no way Sonic Implants' fault. While it doesn't cover all the subtle bowing variations that lurk within Garritan Orchestral Strings, SSC is nevertheless a work bordering on the monumental, representing many months of detailed work for its producers.
Reviewing the entire contents of the SSC library would probably exhaust the UK's ink and paper supplies, as well as your patience, so instead, I'll give you the edited highlights of the sounds that caught my ear. The violins' legatos are admirably smooth and controlled, making them suitable for all manner of sustained pad work.
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The four rows of keys on your keyboard correspond to the four lowest strings on the guitar. Now, in First, the fiery tones of a piece String Orchestra 12, 10, 8, 6, 4 , and then an isolated Piece Low. Symphonic cube puts a full postromantic orchestra under your baton. For owners of the Sonivox sonic implants symphonic strings collection. Made of over five Vienna symphonic library download crack for idm mpmnogosofta.
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The United Strings of Europe is a London-based ensemble made up of young professionals from Sonivox symphonic strings collection kontakt dvdr d2 fileserve torrent Sonivox Symphonic Strings Manual Woodworkers Native Instruments West Africa Kontakt-dvdriso keygen. Great for The addition of woodwind and percussion libraries rounds out Sonic Implants' Complete Symphonic Collection , bringing their three-year symphonic project to a close.
The two-year gap between the release of Sonic Implants' Symphonic String Collection July and Symphonic Brass Collection June might have led some to believe that the latter release marked the end of the company's orchestral library master plan.
However, it's now clear that far from resting on their laurels, the Massachusetts-based outfit were hard at work recording woodwind and percussion collections to supplement their strings and brass. Having recorded their impressive strings samples at the Sonic Temple a fine classical hall in Roslindale, Massachusetts , Sonic Implants hired the same venue and recording team for their brass, woodwind and percussion libraries.
The microphone setup was carefully replicated for each project, ensuring sonic compatibility throughout the entire project. Once again, playing duties were undertaken by musicians from the Boston Pops and Ballet orchestras, with Sonic's Jennifer Hruska overseeing production. In the brass, woodwinds and percussion collections, many short notes and hits have three takes, available separately which is handy for double-and triple-tracking , in key-switchable programs, or in 'round robin' form, where successive strikes of the same key trigger different takes.
The strings, brass, woodwinds and percussion each comprise five DVDs packaged in a posh inch cardboard box. Documentation for the complete Gigastudio 3 -format set is provided in PDF format only good for quick searches , with no plans to provide a printed version bad for bathroom browsers.
The manual is very clearly written and crammed full of useful Gigastudio tips, with only one omission: there's no information about the instruments themselves, which may leave some wondering what an 'ocean drum' is, or what 'first chair' means in this context see me later for the answers! Depending on your hardware, installing the whole library can take up to four hours.
To alleviate the tedium, the makers have created an entertaining slide show which displays on your PC screen when you run each collection's installation program. Alternatively, you can copy the Gigastudio files across manually folder by folder, or even one instrument at a time. In any case, no 'on-line registration wizards' are involved in the process, which is a great relief.
Since Miroslav Vitous first thought of the idea in , the convention in orchestral libraries has been to record wind instruments in both solo and three-player ensemble formats. Sonic's new As in the strings and brass collections, the library concentrates on straight multisamples, with no played crescendos or diminuendos, grace notes, chords or phrases.
There are, however, plenty of breath noises, flutter-tongue effects and overblown harmonics. All the long notes are looped, which might offend purists but is good news for pad merchants like myself! I have to say right off the bat that some of these woodwinds see opposite for a complete list sound absolutely beautiful. The alto flute is a lovely-sounding instrument, and its vibrato legatos sound sweet and lilting right up into the top register.
A pair of concert flutes played in unison create a soft breathy texture which works well for both lines and chords, and their short staccatos are precise and well coordinated, excellent for biting, incisive punctuations. The library's solo flute also delivers vibrato sustains with great feeling and control, and there's a cleverly programmed 'extra breath' option designed to increase the attack definition.
If you're pining for the old 'three flutes' unison chorale sound, you can simply layer the solo flute over the flute duo I tried this, and it sounded great.
For the first time in a sample library, we hear two piccolos piping away in unison, bright, clear and tuneful. Their so-called glissando samples turn out to be rapid octave runs ending in a short target note, played up and down at five different unmetered tempi. The quickest of these works well for exuberant high-end flourishes, but it's a shame that all runs span an entire octave — reducing the interval to a fourth or fifth would have given a more concise and punchy effect.
I tried to adjust the sample start to achieve this, but couldn't find a way to do it within the Gigastudio 3 editor. SWC 's pair of oboes manage to be expressive in a subtle way. The first instrument employs a gnat's more vibrato than the second and has a slightly different timbre, but both are capable of sounding poignant and melodic. The same can be said of the English horn, a delightful instrument whose lyrical sound and poised delivery will grace any score.
Sonic Implants recording engineer Jason Jordan in the control room at the recording venue for the Complete Symphonic Collection, Futura Productions' Sonic Temple, a beautiful old concert hall in Massachusetts now used for classical recordings. The control room shown here is the former lobby, but has been acoustically treated and kitted out with talkback facilities to the main hall and surround monitoring, not to mention the expensive outboard which can be seen in the background!
Recordings for the CSC took place at bit resolution directly into Digidesign's Pro Tools, driven by the large Pro Control visible in the foreground.
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